HANNAH WILLIAMS


Enter the enchanting world of Hannah Williams, an artist based in Leeds. Hannah graduated from Chelsea College of Arts in 2020. Her work is a profound exploration of surreal landscapes, where time seems to stand still.

© Hannah Williams


Drawing inspiration from moments of introspection and the collective human experience, Hannah sculpts her paintings to abstract her emotional responses. Through her art, she beckons viewers to delve into the complexities of existence, inviting contemplation and reflection within the ethereal realms she conjures.

©  Hannah Williams


In this interview, Hannah Williams generously offers insights into her experience on the 'Portrait Exploration' block.




© 2024 Hannah Williams, made during the 'Portrait Exploration' workshop block.

THE INTERVIEW 

What inspired you to join these workshops as the Secret Workshopper, and what were your expectations beforehand?

Lucy’s work was very captivating to me, I love her use of colour, the range of subjects she draws her gaze to and the mosaic-like building up of her images. I thought it would be a great opportunity to learn from another artist and dip my toes into using watercolour paints – as that was a medium I hadn’t touched since school!

How did these workshops contribute to your artistic growth and development?

As I previously mentioned, I hadn’t explored watercolours before, so dedicating a section of time each week to working with them brought me back to feeling uncomfortable, and a bit frustrated, with making artwork. In combination with this,

Lucy also put me into the portraiture group, which was another thing I hadn’t done! I think this is why the work I produced looks so different from the other paintings I usually make...I felt out of my comfort zone. But I am really happy that I was pushed there, it caused me to slow down, play and explore more. I couldn’t fall back on knowing the medium or the subject, I just had to jump in and try!

Can you share any specific skills or techniques you learned during the workshops that you found particularly valuable? 
Lucy described her approach to painting portraits as looking at the ‘planes of the face’. This description, as simple as it is, really helped me in identifying the different areas and tones that are visible when you're looking at painting a face, almost as if it were more of a landscape.

Did the workshops provide a supportive and engaging environment for learning and creativity? If so, how?


Yes absolutely! The workshops were well explained with a clear theme for each week and accompanying artists work for inspiration. Lucy was supportive, engaging, and calm. It felt like a very safe space to try out something new and make mistakes along the way with no judgement made.





© 2024 Hannah Williams, made during the 'Portrait Exploration' workshop block.

What aspects of the workshops did you find most enjoyable and rewarding?

I found the time painting along with Lucy and the other student one of the most enjoyable and rewarding parts of the sessions. It was interesting to watch how other people paint, it's not something we often get to see, and the atmosphere was relaxing. I also really enjoyed the beginning of each session where Lucy would show a selection of artists work for inspiration.

In what ways did the workshops help you overcome any creative challenges or obstacles you were facing?

I haven’t sat down and tried to make a piece of work based on what is in front of me for a good while, so I felt a bit rusty at first. Doing these workshops has given me some confidence in trusting the process and being patient when you’re relearning a skill (or learning a completely new one!).


How has your perspective or approach to your art practice changed as a result of participating in these workshops?
The workshops have helped me to view my art practice, especially post University, as something that has plenty of space to encompass lots of different elements. I was out of the habit of experimenting with different subjects and mediums since graduating, so the workshops and Lucy’s guidance has reshaped my approach.

Did you find the workshop content relevant and applicable to your artistic goals and interests?
Yes! Being put in the portraiture block wasn't something I would have chosen for myself, but I am so glad Lucy put me in it as its sparked a new interest for me artistically. Now, when wandering around a gallery, I am much more drawn to self-portraits.

What advice would you give to someone considering attending a similar workshop series?

Trust the process, you’re in good hands!

Overall, how would you describe the impact of these workshops on your artistic journey?
I think these workshops and Lucy’s support has made a big impact on my artistic journey! I feel like I can incorporate more observational work into my artistic practice, and I now carry around the kind words of advice that Lucy has gifted me when I sit down to paint.




© 2024 Hannah Williams, made during the 'Portrait Exploration' workshop block.

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